Zos kia coil transparent

Transparent

This is a historical tome in the Coil discography that the pioneering U.K. industrial group released as a cassette-only album on Nekrophile Records. Performances of early Coil as a harsh industrial noise/performance art group are captured in various live settings during 1983, including Berlin and London concerts, as well as studio/rehearsal room sessions that predate the Coil of the legendary 1884 album Scatology, which subsequently became a massively influential recording in the post-industrial movement. Here are the earliest Coil recordings, exhibiting the band as it develops a fierce noise music that later became some of the most poetic and elegiac of the era. Whether reshaping electro, new wave, hyper-minimalism, or futuristic folk, Coil remained one of the most vital groups of the ’80s post-punk movement. For fans of the group, this early archival material is essential listening. The disc is packaged in a mini-LP-style cardboard slipcase, and includes a booklet with photos from Coil/Zos Kia performances. A text of the Coil manifesto penned by John Balance and a transcription of a conversation between founders Balance and Peter Christopherson are included in the booklet. Newcomers to the group are advised to explore first the albums Scatology, Horse Rotorvator, and Love’s Secret Domain, though Coil fans and collectors will not be disappointed by this obscurity. Transparent provides a much-needed insight into the very early work of the extraordinary industrial music institution.

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Zos Kia / Coil – Transparent

1-5: Zos Kia. Berlin Atonal. 3.XII.1983
6: Rehersal 5.X.83
7: Live At Magenta Club, London 5.VIII.1983. This track is shorter here than on the original cassette.
9: 3.VIII.82. This track is longer here than on the original cassette.
10: 5.V.82

Tracks 1-7, 9, & 10 taken from Transparent Cass (Nekrophile, 1984)
Track 8 taken from Beast 666 Cass (Nekrophile, 1983)

A Threshold House Release via World Serpent.

Barcode and Other Identifiers

• Barcode : 5021958487021
• Matrix / Runout : 10481061 01 %
• Mastering SID Code : IFPI L132
• Mould SID Code : IFPI 0454
• Other (Mould Text) : MADE IN THE UK BY PMDC

Other Versions (5 of 12)

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• Have : 550
• Want : 272
• Avg Rating : 3.85 / 5
• Ratings : 96

• Last Sold : May 2, 2023
• Lowest : $5.49
• Median : $14.51
• Highest : $23.00

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Zos kia coil transparent

ZOS KIA was formed by John Gosling (MEKON), John Balance (COIL) and Min — with guest Peter ‘Sleazy’ Christopherson (THROBBING GRISTLE). Their one and only album, Transparent, was released August 23rd 1983 in a cassette only edition on the now defunct Nekrophile label, Austria. They were the first released recordings of both COIL and ZOS KIA. It was reissued years later by COIL (Threshold House / Eskaton) in an edited edition. The entire recordings are now released on CD/vinyl for the first time and are completely remastered from the unedited tapes. Includes two previously unreleased bonus tracks by AKE (pre-ZOS KIA).

The music on Transparent is genuinely unsettling and disturbing, with a more primal Industrial feel than the Coil album which followed; ‘Scatology’. An essential insight into the very early work of these extraordinary artists and an undeniable link between Coil and Throbbing Gristle.

Vinyl edition has sold out.

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We are a UK-based record label / mailorder store / distributor, specialising in all forms of esoteric / industrial music, but particularly: Industrial, Dark Ambient, Black Ambient, Japanese Noise, Neoclassical, Dark Folk, Orchestral, Power Electronics, Noise, Drone, Doom, Death Industrial, Dark Soundtracks and Experimental music. . more

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TRANSPARENT (AS ZOS KIA / COIL)

COIL Transparent (as Zos Kia / Coil) ratings distribution

COIL Transparent (as Zos Kia / Coil) reviews

Collaborators/Experts Reviews

After COIL released their debut album «Scatology» in 1984, they quickly released a collection of their earliest primal and mind- altering sonic experiments from the early 80s from the brief time when they would be closely connected with yet another errant electronic band Zos Kia, a project of John Gosling which was an offshoot of John Balance’s Psychic TV. The two groups were essentially the same at this point separated in identity only by name showing the complex revolving door policies of the early industrial sound collage movement in the early 80s. These tracks on this only album to be released with the ZOS KIA moniker attached contain some of the most horrific sounds ever to be recorded onto tape with bombilations so utterly unsettling that i can not think of another album that exudes the primal essence of fear and so successful delves deep into the psyche of the listener to locate the ultimate sonic methodology for evoking intense discomfiture.

Originally released by Nekrophile only on the cassette format, the collection would finally find a home on CD in 1997 (with a different track order) by Threshold House and in 1998 Eskaton would reissue a vinyl edition. Finally in 2016 these rough drafts of soundtracks for nightmares would undergo a remastering and released by Cold Spring with two bonus tracks that were recorded by the pre-ZOS KIA noisemakers AKE and show a glimpse of the live underground event played at the Equinox event on June 21, 1983. TRANSPARENT is a bona fide history lesson in the errant nihilistic origins of COIL when they existed side by side on various Rising From The Red Sand compilations with other avant-garde electronically leaning artists like Nurse With Wound, Attrition, Konstruktivists, Lustmord and the Legendary Pink Dots. Likewise these recordings point to the antecedents of COIL’s rather eccentric and occult interests and how they relay them in sonic form which continued throughout their multi-decade career which include wax cylinder recordings of Aleister Crowley and inspiration from his disciples especially Austin Osman Spare.

After the somewhat synthpop oriented debut «Scatology» that showed a slightly normal side of COIL, the collection of tracks on TRANSPARENT is downright frightening in comparison. Although some tracks like «Rape» (titled «Violation» on original release) would find their home in a new packaging on a future album (can’t pinpoint it), most of these tracks are non-musical and focus more on rhythmic bursts of noise punctuated by intense spoken manifestos or psychotic keyboard deliveries that makes most horror soundtrack music seem like a walk through Disneyland. In sync with the chaos that is the discography of COIL, some tracks are solely credited to COIL, some solely to ZOS KIA and others to both while the bonus tracks are credited to the earlier KIA outfit AKE. Often referred to as monochrome psychedelia, TRANSPARENT even utilizes of all kinds of freaky everyday noises to scare the bejesus out of you. The track «Silence And Sorcery» for example is nothing more than a background of rhythmic crickets chirping with industrial noises randomly jumping from the abyss to signify their presence.

Listening to TRANSPARENT is a journey into the darkest recesses of the mind that captures the most disconcerting sonic amalgamation of factors that create an aura of shock and awe. While COIL would continue on to add more musical elements to their unique style of psychic torture, they would continue to employ many of the same non-musical elements that were laid out at this early stage with some of these tracks being cannibalized and used for sound effects in later offerings. TRANSPARENT is an interesting historical artifact that clearly lays out the antecedents of COIL’s ascension into the industrial underground and also displays the less than clear delineation between all the affiliated groups and sub-groups that existed in the fluid world of John Balance and Peter Christopherson. TRANSPARENT is a must for those who crave the shadowy sonic expressions of the underground industrial world of the early 1980s when strange new unthinkable sound combinations were codifying a new «musical» movement that would find more prominence a decade later but for the uninitiated this could be considered a sonic assault that may leave them shivering under their sheets for days.

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